My View: Drew White, AIA
Modern structures become part of architectural history
Like other American cities, Indianapolis faces an architectural
challenge: What do we do with structures built within the last
50 years?
Too often, the answer has been, "Demolish them," "Slap
additions onto them," or "Put incongruent faces on them." It
seems we almost never say, "Let's embrace them as a part of
our historical fabric and culture."
We have guidelines for protecting structures designed in styles
such as Italianate or Neo-Classical, and we have developed protected
historic districts such as Meridian Street and Massachusetts Avenue.
We must demonstrate a similar reverence for creations of the recent
past.
The word modern is confusing when it comes to architecture. Many
architects, including myself, believe the modernist period hasn't
ended, but it's most commonly associated in the United States with
a period from 1940 to 1975. Inspired by Germany's Walter Gropius,
the movement was led by the likes of Philip Johnson, I.M. Pei and
Paul Rudolph. A true visionary, Johnson helped the cause of modernist
preservation by leaving his 1949 all-glass house in Connecticut
to the National Trust for Historic Preservation, prompting some
people to wonder, "An all-glass house . . . left to the National
Trust for Historic Preservation?"
Using Johnson's Glass House as a launching pad, the Trust set its
preservation sights on other modernist structures, including Mies
Van der Rohe's Farnsworth House in Illinois and iconic Route 66
motels.
Such attention is necessary because modern structures are at risk.
The World Monuments Fund's "100 Most Endangered Sites," commonly
associated with ancient and historic places, includes modernist
structures such as the deteriorating New York State Pavilion and
Louis Kahn's San Diego Salk Institute, which is threatened by an
addition that would block the Pacific Ocean views that help to
define it.
Part of the problem is a misunderstanding of modern architecture.
Structures were designed to be volumes of space enclosed by thin
curtain walls resting on slender columns. Flat roofs and straightforward
structural expression united with rational materials and functional
interiors in structures rejecting ornament or historical recreation.
Indiana has fine examples of modernist architecture. To aid in
their preservation, Historic Landmarks of Indiana formed the Landmarks
of the Recent Past (LORP) Committee, which identified more than
250 modernist structures. Local examples include two Skidmore,
Owings and Merrill-designed buildings: the Standard Life Insurance
Company Building at 300 E. Fall Creek Parkway and the American
Fletcher Bank Building on Monument Circle. Various residences also
fit the description, including Evans Woolen "beauties" in
Devonshire and homes in Arden, Williams Creek, Wynnedale and Spring
Mill neighborhoods.
LORP is working to prevent the loss of mid-century design by educating
the community about modernist architecture. As part of this effort,
it's offering on Saturday "Back to the Future: The Mid Century
Modern Home Tour," an event that will open five local modernist
residences to the public.
LORP also is involved in an Indiana building survey that will work
with an interactive educational tool and associated blog to educate
the public and provoke conversation on the challenges and importance
of preserving the modern.
My challenge to you is to engage. Take the "Back to the Future" tour.
Slow down as you drive Downtown to consider the architecture of
the modernist period. And take a fresh look at these structures
so that, when someone asks, "What do we do with these 50-year-old
buildings," you'll know to say, "Appreciate them. And
save them."
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